by Joy Houston
It was October 11, just a week after the horror
of Hurricane Stan, and there they were in the field alongside the road to Escuintla—the
first poinsettias of the season. They waved their bright red heads in the breeze
as if to cheer their own survival and signal assurance that Christmas is coming
as always.
Their cultivated cousins, of course, had long
since lined up in greenhouses to be coifed for delivery. First sighting of a
pickup load of the beauties was on November 3. Big ones, small ones; white ones,
red ones, even pink ones elegantly adorn Christmas in Guatemala. Some say it
was Guatemala that gave the Flor de Pascua to the world, but others say it originated
in Mexico, where it was named after U.S. Ambassador Joel Roberts Poinsett, who
took it to the U.S. in the early 19th century. In any case, the queen of Christmas
color was essential to the traditional nativity scene (nacimiento) long before
the turn of the 20th century, when German coffee growers introduced the Christmas
tree. A few years later there was a pile of gifts under it, an idea shared by
the Germans and U.S. United Fruit Company workers.
The ecologically conscious might see in the poinsettia an
opportunity to save a pine tree, some species of which are in danger of extinction
in Guatemala. Even the cutting of branches of pine, which could seem harmless,
can harm or ruin the tree’s ability to produce seeds. But what would Christmas
be without the scent of pine? Not to worry. In recent years trees planted and
pruned for Christmas are tagged to so identify their approved status and discourage
indiscrete cutting in the forest. Special patrols, assisted by neighbors of
the forests, began operating in November. Anyone cutting or carrying pine trees
or branches without the special tag risks heavy fines or even jail. Guatemalans
also use needles by the bundle to put finishing touches on the home nacimiento
and to spread on the floor on Christmas Eve.
The nacimiento is still the star of the show in Guatemala.
What is now the most important celebration of the year came to the Americas
with the Spanish Christian evangelists. The Guatemalans, already an innately
spiritual people closely in tune with nature and in whom creativity thrives,
had no trouble adapting to the new religious event. The timing was good. Ancient
customs and beliefs surrounding the solstice took place at about the same time
on the calendar as that established by the Church in the 3rd and 4th centuries
for events surrounding the birth of Christ.
On the 15th of December the images of Mary and Joseph take
to the streets, carried on platforms in small processions called posadas. The
faithful follow with torches and candles, singing as they go to the rhythmic
beating on turtle shells and high pitches played on clay pipes, both very important
to the tradition. The images leave their places in the nacimientos of churches,
homes and business establishments to enact the journey of the young couple from
Nazareth to Bethlehem to register their citizenship, along with the rest of
the population, in the town of their birth. But the young woman is soon to deliver
a child, and it’s tough finding lodging for the rest she urgently needs.
There is a ritual of song, as they knock on doors pleading
for hospitality, first a verse from the crowd outside, then an answer from those
inside the door who tell them to go away. In singsong cruelty, the couple is
told, “This is not an inn; move on and don’t bother us. Don’t
be a rascal.” Another plea comes from outside, “Don’t be unkind;
have a heart. God will reward you.” Again the refusal, “Don’t
make me angry. Go.”
At last they come to the place that will shelter the couple
for the night, prearranged for the posada, of course. Joseph pleads, “I
am a carpenter from Nazareth. My name is Joseph, and my wife is Mary. She will
be the mother of the Divine.”
Well, now we’re getting someplace. From the inside,
“You are Joseph?! You are Mary?! Come in pilgrims! Come in, not only to
our poor house but to our hearts!” It is in fact a great honor for a household
to keep the images until the following evening, when they process from that
place in the same way as the night before to the next place of lodging. And
so it goes every night until December 24, when the images return to their place
of origin and where the baby Jesus is placed with them.
Posadas are heard on the streets of cities, towns and villages any night as
Christmas approaches and are adaptable to the situation. A fine hotel arranged
its own posada, moving the images from place to place within its facilities,
and invited guests to participate. One night in 2004 the posada from San Francisco
Church in La Antigua fittingly stopped at Casa de Fe, a hospitality house of
Obras Sociales del Hermano Pedro.
Oh yes, important to the nightly posadas are the refreshments offered at each
home where the couple finds shelter. The air is filled with the aroma of Christmas
punch, pineapple, coconut, raisins and other dried fruits, remnant of the Moorish
culture brought with the Spaniards.
Cultural interchange characterizes Christmas around the world, and Guatemala
contributes more than its share with the abundance of colors and fragrances
of natural materials to make the season bright.