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  Interview: Glaze of Glory in Guatemala
Posted by rudygiron
Revue

by Dwight Wayne Coop

Hanne Lunder will never understand Guatemala, and admits she does not want to. In its mysteries, she says, abide all the magic and fascination. This comes from someone with more ties to Guatemala than exist in the typical outsider’s universe. Lunder herself has added to the fascination by forging clay into elegant objets d’art (photo), which have won her as much renown in Guatemala as she enjoys in her native Norway.

Part of her story is familiar, since it is either our own story or one we have heard from others smitten with Guatemala. It is also a story of adoption, not one kind, but many. While touring Mexico, she came too close to Guatemala not to take a look. She only planned to spend a week there, but the Fates had other plans.

It was like falling in love for the first time, she recalls of this 1988 introduction to the Land of Eternal Spring. In spite of everything, the bad experiences among the good, I knew I’d come back. Like so many others, she went back to her first country to fi nd the wherewithal to return. In her case, it was a 1989 traveling artist’s grant.

I started with a week of Spanish study in La Antigua Guatemala. Then, for two months, I toured Guatemala by myself and got deeper into an eternal love with it. She later fell for Rune, a Norwegian who, like her, wanted to adopt children. After they married, Hanne brought him to Guatemala on the third of 15 trips. It took three years to adopt Sandra, now 10. Recent legal reforms enabled them to adopt Aracely, now 7, in a year.

They are precious girls with Mayan blood, coffee-with-cream skin, and good temperaments, Lunder says. They also have Norwegian citizenship, a personal tie paralleling the relations between Guatemala and Norway. While the Lunders were navigating the adoption process, few nations contributed as much as Norway (diplomatically and materially) to the 1996 negotiated end of Guatemala’s 35-year civil conflict.

Today the family lives in Son, near Oslo, in an old wooden Norse house. Rune, a carpenter, keeps the cold out while he schools and otherwise raises the girls, who are learning Norwegian and English. Hanne, plying her craft, is the breadwinner most of the time.

During a year-long stay with friends in Aguacatán (which enjoys sister-cityhood with a Norwegian town) near Huehuetenango, the Lunders accomplished another adoption. Not another child, but a cause that would better a community and bring light into the life of a young boy.

Rune went to work on a fixer-upper house while Hanne began volunteering at Aguacatán’s colegio (private school). The pair organized lessons on litter control and hygiene, and remodeled the school office (Hanne, with her eye for color harmony, selected the paints). Most important, they solicited their Norwegian friends for the means to fund scholarships for poor families. Today, nearly a third of the enrollees benefit from this informal
beca. But 10-year-old Alex, as much as he wanted to learn, wouldnot attend school.

He had a cleft lip and couldn’t endure the taunts, Lunder recalls. His family had no money for an operation. And they’d never been out of Aguacatán."

The Lunders found open wallets in Son and other Norwegian towns, where people organized raffles, auctions, and rummage sales.

When the time came to pack for Guatemala City, Hanne accompanied Alex and his mother to the hospital and cared for both of them. Alex is today in school

While most of Hanne’s works are commercial, those displayed in La Antigua Galería de Arte are love letters to Guatemala. So, it’s quite up to my idea that they remain in the country I love so much. Though forged by Norwegian hands, the displayed work has a Guatemalan identity because its inspiration was Mayan.

The Guatemala Fever bug that stowed away on Hanne’s earlier return trips went on to bite Norwegian teachers, anthropologists, artists and Hanne’s own sister. These have been among the first outsiders to see cave glyphs and other artifacts in rarely visited parts of Guatemala and El Salvador. Hanne and Rune always bring such company these days— seekers eager to leave their own prints on the red clay face of Guatemala.

 
 
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